Saturday, April 30, 2016

Edmond 2016, Day Two

    Day two started out rather cool.  I had forgotten to take home the sweater that I was wearing the day before, and I was tempted to put it on, but my pride kept telling me that I didn't want to be seen wearing the same top as yesterday, so I just endured until it warmed up just after noon.  Also I had forgotten to bring a hat, so my bald spot got sunburned.
    Before the show opened, I moved the two screens that were holding up the new pics from the north side to the west side to increase visibility for the southbound foot traffic.  As you can see from the photo below, that was a smart move.
 
    You can also see that the weather was beautiful, and so was the crowd.  Unfortunately, that didn't translate into a lot of sales.  People loved my work; they just didn't love it enough to take it home with them.
    Early in the day, I overheard a group of young men walking by talking about the prices one of the artists had on his work.  One of them said, "Wow, I am in the wrong profession."  My eyes rolled involuntarily.  Yes, an artist may have, say, $5000 on a painting, but if at the end of the show that painting hasn't sold, the artist has made zero dollars. 
    Still, the day was rather nice.  My parents came by at separate times bearing food.  It was nice to see an old college friend, Sandra, who came by about lunchtime.  I had a nice conversation about current architectural trends in downtown OKC with a couple of fellows who had asked about the subjects of some of my new pictures.  And Gary Lennon dropped by late in the afternoon with some enthusiastic reactions to the new stuff.
    The man-spouse never got to come to the show.  Our schnauzer sustained some sort of injury - we're not sure what - and had to go to the vet this afternoon.  That took a big chunk out of the bank account and orchid watering time.  But hopefully tomorrow will prove that I'm in the right profession, so the money won't be a problem.  Tomorrow's supposed to be beautiful, so it could happen.

Friday, April 29, 2016

Edmond 2016, Day One

    The man-spouse has been helping me set up my shows since we met in 2002, but a couple of years ago he got his green card (yay!) and a job (yay!), which means he's no longer available to help if the show begins on a Friday (boo!)  So for the second year in a row, I have to figure out how to get this tent up by myself.  It's not easy, but it can be done.  As it turned out, my biggest problem in getting set up this morning was the lack of a water hose.
    There are certain steps that must be taken in order when setting up the tent.  First, uh... well, set up the tent.  By that I mean, unfold it and get the legs snapped into place.  That's actually the hardest part because gravity wants to interfere.  It's easier with two people because one person lifts the roof support, while the other person snaps the corner framework into place.  Not impossible for one, but very difficult.
    Secondly, I bungee cord the corners of the roof.  It's just a thing I do because during one show on a very hot day, the wind blew the roof off .  Although this is a new tent, I'm not taking any chances.
    Thirdly, we attach the walls, and fourthly, we attach the weights.  Instead of using heavy items, like concrete filled PVC pipes, I use five gallon buckets filled with water, which are convenient because I can just dump the weight when the show is over.  But they have to be filled at the beginning of the show, and that's where I ran into my problem this morning.  There is a spigot available for use at the corner of 1st and Broadway, but this morning it took forever to locate the hose.  I waited at the hospitality tent and had a donut and coffee, and chatted with the show committee ladies.  Finally, one of them came back with the hose, and I was able to fill the two buckets that I had brought.  When I got back to my space, I discovered that my tent had walked itself out into the street.
    I finally finished at 11:20, an hour and 20 minutes after the show opened.
    This is the first year that I am showing my new computerated photos.  I put most of them all together on the north side, and put my older stuff, the pen and inks I'm known for, on the south side. I didn't bring everything, and I didn't display everything I brought, because I have eleven new pictures and limited space.
    The weather was pretty iffy, but not nearly as bad as was predicted.  It rained lightly for a few minutes at a time all day, and fortunately, it wasn't wet enough to keep the crowds away.
    My daughter showed up for lunch, and while she was there a couple decided to purchase a picture.  While I was filling out the ticket, I started telling them about this blog, and about how in the first post I had speculated what my kids would do with my work after I was gone.  I said, "If my daughter winds up with my work, she'll probably find a way to market it and sell it all.  Or she'll just toss it."  That made them laugh.
    "Dad," my daughter said in that tone that teenagers take when they're explaining something really obvious.  "It's more valuable after you die."  That really made them laugh.
    A gentleman came in some time later, and got really excited about the intricacies of my pen work in one of my pictures.  He went to find his wife, who happened to be standing behind where I was sitting.  He told her that I had an amazing amount of patience, and that he could never have the patience to do what I do.  "Don't be silly.  You've got a lot of patience," she said.  "You married me."
    About 3:30, one of the committee ladies drove by in her golf cart and informed the artists that a storm would be coming through in about an hour, so batten the hatches.  As time approached, I wrapped up all my big pictures and moved them into the beauty salon behind me, and then sat in the booth waiting for a storm that never came.  The temperature dropped a couple of degrees, the wind picked up slightly, and there was some thunder, but the only bad thing that happened was that all the customers left.  By six o'clock, most of the booths had shut down, so I did too.
    Tomorrow is supposed to be a nice day.

Thursday, April 28, 2016

Not Enough Hours In A Day

When I first conceived of this blog, I assumed that most of it would be about how trying to live my real life is interfering with my attempts at being a serious artist.  In all likelihood, that will eventually turn out to be the case, but for now, today, the opposite is true.
    When I get off work in a few hours, it will be Thursday morning, the day before this weekend's art show.  I still have a lot of things to do to prepare for the show, one of which is to call my Dad and tell him there's an art show this weekend and I need to borrow the truck.  (Hazards of working the night shift: whenever you think about needing to call someone, it's ALWAYS while that someone is in bed asleep.)
    I also need to go to the grocery store, both for show food and for home food.  I need to dig out the big pictures and clean the glass and make sure the frames are in decent shape.  I need to go through my tool box and make sure it's sufficiently loaded.  I need to find and clean all my show furniture.  Late in the afternoon, I need to go downtown and get my show packet, and find out if Elaine at Dean-Lively Gallery is going to stay open late so I can store some of my work in her shop overnight.  I also need to get four or five hours of sleep.  And I need to shower and straighten up the house a bit before my son shows up with his new girlfriend for dinner.
    Hopefully, my son will remember to bring cake, because Thursday is also the man-spouse's birthday.


I can do this.

Saturday, April 23, 2016

Forecast, Six Days Out

Well, shoot crud.
This is not good news.  Hopefully things will change in the next few days, or perhaps it will just go around us.

Thursday, April 21, 2016

The Schedule

 
The Downtown Edmond Arts Festival begins in eight days.  I have eleven new pictures in a new medium that really excited to show, plus all the other stuff I've been dragging around for years.  I've done this particular show every year but one since 1993.
Art shows have a peculiar psychological effect on me.  I'm inspired to go home and create loads of new stuff while at the same time wondering how I'm going to get rid of the stuff I've already got, or what my kids will do with it after I'm gone.  My son is a kind of sentimental sort, and I figure if he winds up with it, he'll be holding on to it as a keepsake for the rest of his life.  My daughter is a bit more practical, and she'd probably figure out some way to market it all.  Or toss it, either one.
   Thinking about this makes me feel old.
   Anyway, I think I need to either expand my market somehow (more shows?) or just improve my marketing skills.  I can't just keep going to the same two shows and just expect that in one or two years a couple of hundred people in Edmond will suddenly realize they desperately need a nineteen year old print of a typewriter.  Although, I suppose that could happen, right?
    In the meantime, I've got such big plans for next year.  I'm gonna produce so much stuff, and it's gonna be beautiful stuff, and it's gonna sell so well.  People are gonna be begging for my stuff.  It's gonna be yooge.