This is the painting that I was working on when my friend Loggan convinced me that I needed to start printing some of my photos instead of just hiding them on my computer with the idea that someday I'd get around to painting or drawing them. And now it's done. And apparently sold.If you've been to my shows and asked me about the photos that I showed this year, then you already know much of this story. I take lots of pictures. Lots. Tons. And now that everything is digital, whether on my camera or my phone, all of them get loaded up on my computer. I then play around with the ones I like best... Well, actually, I play around with most of them regardless, finding the best composition, changing it to black and white if it should be a pen & ink, tweaking the colors if it should be a painting, sometimes changing the color scheme entirely, and running them through some other filters to add some cool visual effects. Sometimes I forget to go to bed when I'm doing this. And then, after all that work, it goes on a memory stick in a file called "potential" where it mostly sits unseen except by me and, perhaps, the man-spouse if he happens to notice.
I like morning light a lot, so frequently my picture taking expeditions happen on a Sunday morning when I'm getting off work, and the parking downtown is free and abundant. The photo for the painting above was taken one October morning when the sun had moved to the south and was lighting up the north side of the Bricktown Canal. There is a bar on that side (I thought it was a restaurant, but it's a bar) where all the seating is brightly painted wooden chairs. The morning light on the chairs was incredibly beautiful, and I took several pictures with my little Kodak. Six of those pictures turned out pretty good, five I liked well enough to paint, four I intend to paint (though I haven't decided which one to skip,) and two I love.
Frankly, painting a series is pretty ambitious for me. I already have five canvases sitting in the studio that I haven't been working on, some of them years old. And there is a large pen & ink that I started a year and a half ago that hasn't seen the light of day in... uh...
I know. I'm ashamed.
So one night, Loggan and his partner, Steve, come over for dinner, and we all wander out to the studio because Loggan wants to see what I'm working on. I showed him this partially completed painting, and explain that it's going to be one of four, and then I fire up the computer to show him the other three. As I'm scrolling through the source file, he says, "What's all this?" I explained that this is my source file for all my future works. He said, "Doc, you're never going to get around to that. These are wonderful the way they are. Why don't you just find someone who can print them for you, and put them in your show, and see if anyone likes them." The man-spouse concurred, because, well, he knows me.Within a couple of weeks afterwards, I found out that Tim, the guy who cuts my frames for me, had a giclée machine. I asked some questions about how it worked, and how I should provide him with my images, and then brought him my memory stick with all my pictures. I had him print my favorite. O Em Gee, it was gorgeous. Ultimately, I had him print eleven different pictures, which I had in my shows this year.
But...
I discovered that some of the picture I had were small. The large ones worked very well printed in a large format, but others, either through cropping or reducing, could not be printed large without becoming pixelated. The chair pics happened to be thus, which is okay, because they would still be painted anyway, but there were others that I would have liked to have had ready for upcoming shows. Yeah, I could print them small, but there's just something about the image that says it needs to be bigger, y'know?
So, in spite of having a new medium to show, it seems I still have a lot of work to do. I guess I better get crackin'.
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